The Ambassador — Reading Companion
Edition facts
The catalog record for The Ambassador — Reading Companion provides practical reading context through 22,708 words, 1 hr 39 min estimated reading time, and 3 detected text sections.
The text analysis averages about 13.6 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “Science fiction,” connecting these edition facts with the source record’s subject description.
Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.
How this score is calculated
- Description quality20 pts
- Title & short description10 pts
- Source metadata20 pts
- Text length15 pts
- Chapters / structure15 pts
- EPUB file integrity20 pts
Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.
Read the Text
There was going to be hell to pay--and Lindsay was honestly looking forward to it. While Secretary General Carlo Bergozza, his dark-green spectacles resembling parenthesis marks on either side of his thin eagle beak, went through the motions of adjourning the Congress for forty-eight hours, Lindsay considered his mission and its purpose.
Earth--a planet whose age-old feuds had been largely vitiated by the increasing rule of computer-judgment--and Mars, the one settled alien planet on which no computer had ever been built, were drifting dangerously apart.
It was, Lindsay thought with a trace of grimness, the same ancient story of the mother country and her overseas colonies, the same basic and seemingly inevitable trend, social and economic, that had led to the revolt of North America against England, three hundred years earlier.
On a far vaster and costlier scale, of course.
Lindsay had been sent to Earth, as his planet's first representative at the new United Worlds Congress, to see that this trend was halted before it led to irrevocable division. And not by allowing Mars to become a mere feeder and dumping ground for the parent planet.
Well, he had tossed a monkey wrench into the machinery of interplanetary sweetness and light, he thought. Making his way slowly out with the rest of the Congress, he felt like the proverbial bull in the china shop. The others, eyeing him inscrutably through their eye-glasses and over their harness humps, drew aside to let him walk through.
But all around him, in countless national tongues, he heard the whispers, the mutterings--"sending a gladiator" ... "looks like a vidar star" ... "too young for such grave responsibility" ... "no understanding of the basic sensitivities"....
Obviously, he had _not_ won a crushing vote of confidence.
To hell with them, all of them, he thought as someone tapped him on a shoulder. He turned to find du Fresne, the North American Minister of Computation, peering up at him through spectacles that resembled twin scoops of strawberry ice-cream mounted in heavy white-metal rims.
"I'd like a word with you," he said, speaking English rather than Esperanto. Lindsay nodded politely, thinking that du Fresne looked rather like a Daumier judge with his fashionable humped back and long official robe of office.
Over a table in the twilight bar du Fresne leaned toward him, nearly upsetting his colafizz with a sleeve of his robe.
"M-mind you," he said, "this is strictly unofficial, Lindsay, but I have your interests at heart. You're following trend X."
"Got me all nicely plotted out on your machine?" said Lindsay.
Du Fresne's sallow face went white at this pleasantry. As Minister of Computation his entire being was wrapped up in the immensely intricate calculators that forecast all decisions for the huge North American republic. Obviously battling anger, he said, "Don't laugh at Elsac, Lindsay. It has never been wrong--it can't be wrong."
"I'm not laughing," said Lindsay quietly. "But no one has ever fed me to a computer. So how can you know...?"
"We have fed it every possible combination of circumstances based upon all the facts of Terro-Martian interhistory," the Minister of Computation stated firmly. His nose wrinkled and seemed to turn visibly pink at the nostril-edges. He said, "Damn! I'm allergic to computer-ridicule." He reached for an evapochief, blew his nose.
"Sorry," said Lindsay, feeling the mild amazement that seemed to accompany all his dealings with Earthfolk. "I wasn't--"
"I doe you weren'd," du Fresne said thickly. "Bud de vurry zuggedgeshun of ridicule dudz id." He removed his strawberry spectacles, produced an eye-cup, removed and dried the contact lenses beneath. After he had replaced them his condition seemed improved.
Lindsay offered him a cigarette, which was refused, and selected one for himself. He said, "What happens if I pursue trend X?"
"You'll be assassinated," du Fresne told him nervously. "And the results of such assassination will be disastrous for both planets. Earth will have to go to war."
"Then why not ship us goods we can use?" Lindsay asked quietly.
Du Fresne looked at him as despairingly as his glasses would permit. He said, "You just don't understand. Why didn't your people send someone better attuned to our problems?"
"Perhaps because they felt Mars would be better represented by someone attuned to its own problems," Lindsay told him. "Don't tell me your precious computers recommend murder and war."
"They don't recommend anything," said du Fresne. "They merely advise what will happen under given sets of conditions."
"Perhaps if you used sensible judgment instead of machines to make your decisions you could prevent my assassination," said Lindsay, finishing his scotch on the rocks. "Who knows?" he added. "You might even be able to prevent an interplanetary war!"
The opening scene of Sam Merwin Jr.'s 1954 novella immediately establishes a satirical tone: Ambassador Zalen Lindsay faces an 'ocean of eye-glasses' in the United Worlds auditorium, each delegation's spectacles coded by nationality and style. The narrator notes that Lindsay, unspectacled, 'felt like a man from Mars'—a literal description that also undercuts the gravity of interplanetary diplomacy. The teleprompter's casual reminder of a dinner date further deflates the ceremonial moment.
Lindsay's speech rejects a shipment of British hunting boots and threatens to halt beryllium exports, framing Martian self-sufficiency against Earth's consumer waste. The catalog subjects list 'Computers' as a theme, but the excerpts show computers only as fallible tools: the teleprompter is hacked, and the story's premise blames 'highly fallible computers' for Earth's poor decisions. The actual conflict revolves around human intrigue, not machine logic.
Spectacles as Political Uniform
The most visually striking detail in the excerpts is the systematic description of eyewear. Delegates' glasses range 'from the rose-tinted spectacles of the Americans to the dark brown of the Soviet bloc,' with shapes including 'round, harlequin, diamond, rhomboid, octagonal, square, oval.' The narrator compares the assembly to 'an immense page of printed matter composed entirely of punctuation marks.' This is not mere decoration; the glasses serve as a uniform that obscures individual expression. Lindsay, the only unspectacled figure, is literally and figuratively exposed. Secretary General Bergozza wears 'dark-green spectacles resembling parenthesis marks on either side of his thin eagle beak,' reinforcing the motif of vision as both protection and disguise. The text does not explain why glasses are mandatory, but the effect is a society where seeing—and being seen—is mediated by prescribed lenses.
The Secretary Who Saves the Ambassador
Nina, Lindsay's secretary, first appears as a 'glittering female figure' clad in 'blazing brilliants,' her handbag 'solidly encrusted with diamonds, emeralds and rubies.' She intercepts Lindsay outside a bar, claiming to have saved him from a glass bullet fired from a copter-cab. The bag's tear and falling glass bits serve as evidence. Later, she reveals herself as the same woman who earlier was his 'slovenly office Nina.' The transformation is stark: from dowdy assistant to jeweled protector. Her line 'Can you think of a better shield than diamonds?' reframes luxury as practical armor. The excerpts do not clarify her motives or full capabilities, but her role as a bodyguard who outmaneuvers the ambassador suggests a reversal of expected hierarchies. Lindsay's stunned reaction—'Ulp!'—underscores his loss of control.
Assassination Attempts and Unreliable Technology
The story's plot hinges on repeated attempts on Lindsay's life: 'Two tries in less than twenty-four hours,' Nina reports. The first attempt is implied via Maria's earlier warning; the second is the glass bullet. Yet the catalog subject 'Computers' is barely evident in the excerpts. The only computer reference is the teleprompter, which displays a personal message ('HEY, BOSS—DON'T FORGET YOU GOT A DINNER DATE')—a breach of security that hints at system vulnerability. The premise states Earth's rulers 'preferred to depend on the highly fallible computers,' but the excerpts show human actors—assassins, a shape-shifting secretary, a bribed waiter—driving the action. The technology is peripheral, a backdrop for personal cunning. Lindsay himself relies on memory and improvisation, not machines. The gap between catalog promise and textual reality suggests the computers are a MacGuffin, not a central mechanism.
Readers should approach The Ambassador as a political thriller with satirical edges, not a hard science fiction story about computers. The excerpts offer no resolution to the assassination plot or explanation of Nina's true allegiance. The setting—a near-future Earth with a United Worlds Congress and Martian colony—is sketched lightly, leaving much to inference. Pay attention to the tension between Lindsay's official role and his helplessness; the story may reward scrutiny of how power actually operates beneath diplomatic formalities.
That rainy afternoon, The Ambassador — Reading Companion kept me company while plaster dust from the old ceiling floated down like slow snow. Zalen’s quiet distrust of bright surfaces stayed with me long after I closed it. Then, almost by accident, my hand found Second Childhood — Key Ideas to Explore, and I understood how much we revisit what we thought we’d left behind.
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