Assignment's End — Key Ideas to Explore

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In Category - Machines Invention
Aycock, Roger D., 1914-2004, Docktor, Irv, 1918-2008 [Illustrator] Project Gutenberg 2010 Not confirmed
Science fiction; Short stories; Psychological fiction Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 10,438
Reading time 46 min
Text sections 2

Assignment's End — Key Ideas to Explore can be approached with a clearer sense of reading commitment from its source measurements: 10,438 words, 46 min estimated reading time, and 2 detected text sections.

The text analysis averages about 16.3 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Science fiction,” connecting these edition facts with the source record’s subject description.

In Roger Dee's 1954 science fiction story, advertising man Philip Alcorn's pacifying psychic talent brings peace to everyone but himself. Haunted by visions of a polar plain and a mysterious pit, he flees into a nightmarish hunt where his gift becomes a liability.
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Editorial Edition Score 4.5/5

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  • Description quality20 pts
  • Title & short description10 pts
  • Source metadata20 pts
  • Text length15 pts
  • Chapters / structure15 pts
  • EPUB file integrity20 pts

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Kitty said wistfully, "Shall I see you tonight, Philip?"

He frowned, searching for a way to ease the hurt she would feel later, and finding none. "That depends on the psychiatrist. If he can't help me, I may fly up to my cabin in the Catskills and wrestle this thing out for myself."

Kitty moved to go, and then turned back. "I almost forgot. There was a call for you at noon from a secretary of Victor Jaffers' at Carter International. She seemed to know you'd be out and said that Mr. Jaffers would call again at 15:00."

"Victor Jaffers?" Alcorn repeated. The name added a further premonitory depression. "I think I know what he wants. It's happened before."

When Kitty had gone, Alcorn took a restless turn about the room and was interrupted at once by the gentle buzzing of the radophone unit on his desk. He pressed the receiving stud and found himself facing Victor Jaffers' image.

"Don't bother to record this," Jaffers said without preamble. "Complete arrangements have already been made to prove that I've never spoken to you in my life."

Jaffers was a small, still-faced man who might have been mistaken for a senior accountant's clerk--until the chill force of his eyes made itself felt. Alcorn had seen the Carter International head before only in teleprint pictures, had heard and discounted the stories about the man's studied ruthlessness. But those eyes and the blunt approach made him wonder.

"I've got a place in the contact branch of my organization for your particular talent, Alcorn," Jaffers said flatly. "It will pay you five times what you earn with Consolidated. You understand why I'm taking you on."

"I know." The arrogance wearied rather than angered Alcorn. "I have a gift for arranging fair settlements when both principals are present. Mr. Jaffers, I've never exploited my gift for personal profit. That's a matter of self-protection as well as ethics--I don't like trouble." He reached for the canceling stud to end the interview. "Others have made the same offer before you and there'll be others again. But I won't use my ability unfairly."

Jaffers smiled, unamused. "You do go straight to the point, which saves argument. But you'll work for me, Alcorn. Those others made the mistake of talking to you personally. I know that you can be reached as easily as any other man if my agents keep more than fifty feet away from you." His eyes moved past Alcorn to the window. "Look at the window across the street."

Alcorn, turning, felt his neck prickle. Across the narrow canyon of street, without pretense at concealing himself, a man in gray clothing watched him from an open office window.

"I've had you under surveillance for days," Jeffers' voice said behind him. "I've located two others of your sort since my statisticians brought their existence to my attention, but somehow they slipped through my fingers this week. I'm taking no chances on you."

Alcorn whirled back incredulously. "You've found others? Where and--"

"I'll tell you that when you're on my payroll."

"It's a trick," Alcorn said angrily. "I searched for years before I settled down with Consolidated and I didn't find a trace of anybody like myself. I don't believe there are any."

"Most of them covered themselves better." Jaffers added, with cold finality, "I don't haggle, Alcorn. You'll work for me or for no one."

"The trouble is," Alcorn said, "that I'm different from other people and I have to know why. I know _how_ I'm different, but if I knew _why_, I'd never have come to a psychiatrist."

Dr. Hagen rattled the data sheet in his hands and blinked behind his pince-nez like a friendly beagle. He was a very puzzled man, being accustomed to analyzing his own reactions as well as those of his patients. Alcorn could see him struggling to account for the sudden serenity that had come over him the instant Alcorn entered the office--certainly it was not the doctor's usual frame of mind, from the first sour look of him--and failing.

"Different in what way, Mr. Alcorn?"

"I soothe people," Alcorn said. "There's something about me that inspires trust and an eagerness to please. Everyone roughly within a radius of fifty feet--I've checked the limit a thousand times--immediately feels a sort of euphoria. They're as happy as so many children at a picnic and they can't do enough for me or for each other."

Dr. Hagen blinked, but not with disbelief.

Philip Alcorn, a Consolidated Advertising executive, possesses a peculiar talent: everyone who comes near him unwittingly adopts a placid, agreeable demeanor. His fiancée and secretary Kitty Murchinsom, his clients, even strangers in a bar—all fall under the soothing influence. Yet Alcorn himself is exempt from this peace. The story opens with him emerging from a frightening hallucination, a recurring vision of a bleak polar plain and a scaffolding pit. This contrast between his external effect and internal torment drives the narrative.

Dee establishes Alcorn's world through sharp, sensory details: the "cool evening wind" on a rooftop, the "dim thin sickle of moon," and the "faint pervading perfume of wild honeysuckle" at his Catskills cabin. These natural images clash with the urban clamor and the "monstrous alien puzzle" of the city as Alcorn's perception warps. The excerpts reveal a man caught between his desire for normalcy—a honeymoon with Kitty—and the escalating reality of his visions, which he can no longer dismiss as hallucinations.

The Pacifier's Paradox

Alcorn's talent is both his career asset and his curse. At Consolidated Advertising, he smooths over client disputes; his boss Sean O'Donnell would be "lost without" him. Yet Alcorn feels a "nagging dissatisfaction" with this role. The story's central irony is that the man who brings peace to others cannot find it himself. His hallucinations—the polar plain, the pit, the faceless figures—intensify as the plot progresses, and he begins to suspect they are not dreams but glimpses of a real threat.

Dee underscores this paradox through Alcorn's interactions. Kitty, placid under his influence, urges him to see a doctor. The bartender, similarly hypnotized, offers his turbo-copter without hesitation. Alcorn's gift strips others of their agency, yet he is powerless to help himself. The excerpts show him "caught between an eagerness to see Kitty and a dread of having her involved in his trouble." His talent isolates him even as it draws people close.

Visions of a Polar Plain

The recurring hallucination is the story's most distinctive element. Alcorn sees a "bleak polar plain" with a pit and scaffolding, and enigmatic groupings of people. Over time, the vision sharpens: four figures gain faces, including Ellis, a research chemist who disappeared from New York. The progression from vague shapes to recognizable individuals convinces Alcorn that the visions are real—"he had ceased to think of them any more as hallucinations."

Dee links this psychic escalation to Alcorn's growing awareness. When he flees to his cabin, he realizes he can sense Janice Wynn waiting inside before he sees her. The polar plain, initially a nightmare, becomes a map of hidden truths. The excerpts do not reveal the plain's origin or purpose, but they establish it as a locus of dread and revelation. Alcorn's "frightening hallucination" is not a random phobia but a structured, evolving phenomenon tied to his talent.

Flight and Pursuit in a Hostile City

Alcorn's flight from New York to his Catskills cabin is a journey through a world that has become alien. From the turbo-copter, the city appears as "a light-shot maze without meaning," and he feels the "clamorous surf-roar of conflicting individual emotions"—an ant-hill of hates and hopes. This sensory overload transforms the familiar into the threatening. Dee uses the city's "multicolored glow" and the "racing points of light" on highways to evoke a landscape both beautiful and menacing.

The pursuit is shadowy: Victor Jaffers of Carter International, the mysterious Janice Wynn, and the police all close in. Alcorn's borrowed turbo-copter and his instinctive flight "lemminglike" toward his cabin suggest a loss of control. The excerpts show him torn between hiding with Kitty and facing his pursuers alone. The mountain quiet and night-birds offer a temporary respite, but the cabin holds a new confrontation. Dee builds tension through Alcorn's indecision and the inexorable sharpening of his visions.

Readers should attend to the way Dee layers Alcorn's internal experience with external action. The polar plain visions are not mere backdrop; they evolve in lockstep with the plot, gaining detail and urgency. The story's title, Assignment's End, hints at a conclusion beyond Alcorn's control. The excerpts leave the nature of his talent—and its cost—unresolved, inviting speculation about whether his gift is a blessing or a trap. The contrast between his placid influence and his private terror is the story's engine.

Reading about Alcorn’s endless polar vision reminded me of a sleepless night when I kept circling the same worry, unable to set it down. Lord Tedric — Edition Insights stirred that same quiet ache, where a character’s strength becomes their isolation. Both books felt less like escape and more like a familiar, shadowed room.

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