The Dictator — A Reader’s Guide

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In Category - Space Future
Marlowe, Stephen, 1928-2008 Project Gutenberg 2010 Not confirmed
Science fiction; Short stories; Assassins -- Fiction Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 7,813
Reading time 34 min
Text sections 1

This digital edition of The Dictator — A Reader’s Guide is described by source-level measurements including 7,813 words, 34 min estimated reading time, and 1 detected text section.

The text analysis averages about 13.9 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Science fiction,” connecting these edition facts with the source record’s subject description.

In a future society where enforced mediocrity is the norm, an average man named Ellaby is recruited to assassinate the Dictator. But the conspiracy may be more complex than it appears, as the system itself seems to accommodate his plot.
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Editorial Edition Score 4.3/5

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  • Title & short description10 pts
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Read the Text

This was the city. It was here where the fruits of whatever had gone wrong in Ellaby's upbringing or whatever had gone wrong in the linear arrangement of his genes would ripen. It was here where Ellaby, modal Ellaby would pass his tests for top-secret work; unsuspected, average Ellaby, would write his name in flaming letters across the pages of history. It was here where Ellaby would kill the Dictator.

And after that--what? Chaos? A new order based not on modality but something else? Ellaby wasn't sure. No one in the organization knew for sure. The concept was staggering to Ellaby. It was the system--or nothing. Well, let the others worry about it. They did the planning. Ellaby was only the executioner.

The house was like all the others on the block, all the others in the Capitol, a grimly solid structure of lets-pretend brick fronting on a street which faded into distant haze, straight as a ruled line, to north and south, crossing the east-west avenues at precise right angles every five hundred feet. The grid pattern city, Ellaby remembered from his rights course in school, (every man has the right to a room and bath in any city as long as he is employed) made the best use of available space for houses. The strip city is unnecessary in time of peace--was there ever, had there ever been any other time? the radial city is preferred for rapid transportation, being the accepted pattern in the great economic hubs and ports like Greater New York and Hampton Roads.

"You will have to live here with me" Dorcas Sinclair told Ellaby, "until you pass your tests for employment. I don't have to tell you how much depends on the outcome of those tests, Ellaby."

"But I can't fail them. I thought you knew my record."

With an unnerving unmodal violence, Dorcas Sinclair's strong fingers dug into the flabby muscle of Ellaby's upper arm. "Well, you had better not," she said, her large teeth hardly parting to let the sounds out.

Ellaby was suddenly alarmed. He had had very little truck with people of this sort. They were as unpredictable as the weather in High Falls which having a population under twenty-five thousand, had never qualified for weather control. Unlike modal man, they had never been exhaustively studied. Their likes and dislikes were not catered to, but their passions couldn't be predicted, either.

"Ease up, Dorcas," a deep voice said from the doorway leading to the kitchen.

Ellaby stared in that direction gratefully. It was indecent for a woman, for anyone, to expose her emotions that way. Ellaby was almost inclined to thank the stranger.

"Stranger, nothing!" Ellaby blurted aloud. Ellaby's face reddened and he apologized. "I didn't mean to raise my voice," he explained. "You surprised me."

"I guess you didn't expect to find me here, at that. You haven't changed much, Ellaby."

Automatically, Ellaby mumbled his thanks for the compliment. Sam Mulden, though, had changed. He'd always been a radical. He wore his hair cropped too short. He was tall and thin, his elbows and knees exposed by the tunic he wore like knots on gnarled, living wood. Mulden looked older. He hadn't bothered to dye his graying hair, or to smooth the premature wrinkles on his long-nosed, thin-lipped face. He was smiling sardonically at Ellaby now, as if he could read Ellaby's mind. "I might have known it would be you," he said. "As soon as they said the assassin was coming from High Falls, I should have guessed."

"Why?" asked Ellaby. It was a question which had nudged for ten years at his docile patience. When people go out of their way to train you, though, to spend ten years teaching you every inch of Capitol territory without once taking you there, to make you proficient with various deadly weapons although your reflexes are splendidly modal, to teach you meaningless phrases like democratic inequality (?) and individuality (?) and the right to live a self-directed (?) life, to make your own decisions (?), when people act, in short, like a very thorough government school, even if their motives seem strangely misdirected, you don't question them.

"For two reasons," Mulden said. "You can understand the first, Ellaby. If the second one bothers you, forget it. In the first place, you're so perfectly modal, the government would never suspect you. In the second place, you're so well adjusted you're bound to follow our instructions."

"Or any instructions," Dorcas Sinclair said. "That's what I'm afraid of, Mulden."

Ellaby is introduced with a string of precisely average statistics: height, weight, IQ within a hair of the mode, hair length that is "slightly long for a man, slightly short for a woman." This meticulous quantification establishes a society where conformity is measured and enforced. Yet Ellaby has been training for ten years to assassinate the Dictator, a figurehead of this modal system. The story opens with a tension between his statistical normality and his secret, extraordinary purpose.

The Modal Man as Assassin

The narrative dwells on Ellaby's averageness with clinical precision. His physical strength is compared to percentiles of men and women; his IQ is "less than four hundredths off the mode." The yearbook prediction "MOST LIKELY TO SUCCEED" is ironic, as success in this society means neither excelling nor failing. Ellaby is "by nature a first class citizen"—a phrase that equates citizenship with mediocrity. Yet this very mediocrity makes him the perfect weapon: unsuspected, average, he plans to "write his name in flaming letters across the pages of history." The contrast between his modal exterior and his revolutionary intent is the story's central paradox.

Conspiracy and Doubt

The conspiracy is revealed through dialogue with Dorcas Sinclair and Mulden. Dorcas is skeptical of Ellaby's sudden clearance as the Dictator's confidential assistant, calling it "peculiar" that he "happened to meet these people." Mulden, however, embraces the coincidence, seeing it as evidence of allies inside the government. Ellaby himself remains passive, thinking "It was all beyond him" and that he "almost had in mind to rebel." His loyalty is uncertain; he follows orders from both sides without conviction. The blaster is slipped into his tunic, and he sleeps "surprisingly well." The reader is left to question whether Ellaby is a pawn or a free agent.

Mulden's Vision of Unconformity

Mulden delivers a passionate speech against the system, arguing that "the common man, the mass, the mob" should not force the uncommon man to be common, but rather the reverse: "Common folk should be given the opportunity to become as uncommon as possible." He calls the current order "warped" and predicts that without the Dictator, the system will collapse "in weeks." Yet his rhetoric is undercut by the story's setting: the Capitol's "splendid, unimaginative geometric precision" and the guard who looks "twenty-over-mode" suggest a world where even rebellion is framed in modal terms. Mulden's vision may be as rigid as the conformity he opposes.

The excerpts end with Ellaby entering the capitol building, blaster hidden, unsure whether he is part of a larger plot or merely a tool. The story's title, The Dictator, points to a figure who is never directly encountered in these passages—only described as a symbol. Readers should attend to how the narrative withholds the Dictator's perspective and whether Ellaby's passivity is a strength or a flaw. The tension between statistical averages and individual action remains unresolved.

Reading about Ellaby’s quiet unraveling made me think of the old copy of Mars is My Destination — Context and Discussion I found in my father’s garage. Both books share that strange, hollow feeling of walking toward something you’re meant to believe in, only to notice the floor giving way beneath your own footsteps. I remember closing each one and just sitting with the silence for a while.

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