Shipping Clerk — Reading Notes

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In Category - Machines Invention
Emshwiller, Ed, 1925-1990 [Illustrator], Samachson, Joseph, 1906-1980 Project Gutenberg 2015 Not confirmed
Science fiction; Short stories; Poor -- Fiction Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 8,976
Reading time 40 min
Text sections 1

The catalog record for Shipping Clerk — Reading Notes provides practical reading context through 8,976 words, 40 min estimated reading time, and 1 detected text section.

The text analysis averages about 14.1 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Science fiction,” connecting these edition facts with the source record’s subject description.

A starving junk collector finds a strange nut that triggers a series of bizarre events involving alien interns, a hospital escape, and a device that lets him digest anything—including metal. A 1952 science fiction story by William Morrison.
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Editorial Edition Score 4.4/5

Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.

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  • Description quality20 pts
  • Title & short description10 pts
  • Source metadata20 pts
  • Text length15 pts
  • Chapters / structure15 pts
  • EPUB file integrity20 pts

Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.

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Read the Text

Ollie was so ravenous that he found it difficult to control himself, and he made a bad impression by gulping the first egg as fast as he could. A real eater would have let the egg slide down rapidly yet gently, without making an obvious effort. This uncontrolled, amateur speed, thought the judges, could only lead to a stomachache.

Ollie devoured the second egg, the third, the fourth, and the rest of his allotted ten. At that point, one of the judges asked, "How do you feel?"

"Only from hunger. It feels like it got nothin' in it. Somehow, them eggs don't fill me up."

Somebody in the audience laughed. The judges exchanged glances and ordered more eggs brought on. From the crowd of watchers, cries of encouragement came to Ollie. At this stage, there was still nobody who thought that he had a chance.

Ollie proceeded to go through twenty eggs, forty, sixty, a hundred. By that time, the judges and the crowd were in a state of unprecedented excitement.

Again a judge demanded, "How do you feel?"

"Still hungry. They don't fill me up at all."

"But those are large eggs. Do you know how much a hundred of them weigh? Over fifteen pounds!"

"I don't care how much they weigh. I'm still hungry."

"Do you mind if we weigh you?"

"So long as you don't stop givin' me eggs, okay."

They brought out a scale and Ollie stepped on it. He weighed one hundred and thirty-nine pounds, on the nose.

Then he started eating eggs again. At the end of his second hundred, they weighed him once more. Ollie weighed one hundred thirty-eight and three-quarters.

The judges stared at each other and then at Ollie. For a moment the entire audience sat in awed silence, as if watching a miracle. Then the mood of awe passed.

One of the judges said wisely, "He palms them and slips them to a confederate."

"Out here on the stage?" demanded another judge. "Where's his confederate? Besides, you can see for yourself that he eats them. You can watch them going down his throat."

"But that's impossible. If they really went down his throat, he'd gain weight."

"I don't know how he does it," admitted the other. "But he does."

"The man is a freak. Let's get some doctors over here."

Ollie ate another hundred and forty-three eggs, and then had to stop because the restaurant ran out of them. The other contestants never even had a chance to get started.

When the doctor came and they told him the story, his first impulse seemed to be to grin. He knew a practical joke when he heard one. But they put Ollie on the scales--by this time he weighed only a hundred thirty-eight and a quarter pounds--and fed him a two pound loaf of bread. Then they weighed him again.

He was an even one hundred and thirty-eight.

"At this rate, he'll starve to death," said the doctor, who opened his little black bag and proceeded to give Ollie a thorough examination.

Ollie was very unhappy about it because it interfered with his eating, and he felt more hungry than ever. But they promised to feed him afterward and, more or less unwillingly, he submitted.

"Bad teeth, enlarged heart, lesion on each lung, flat feet, hernia, displaced vertebrae--you name it and he has it," said the doctor. "Where the devil did he come from?"

Ollie was working on an order of roast beef and was too busy to reply.

Somebody said, "He's a rag-picker. I've seen him around."

"When did he start this eating spree?"

With stuffed mouth, Ollie mumbled, "Today."

"Today, eh? What happened today that makes you able to eat so much?"

"I just feel hungry."

"I can see that. Look, how about going over to the hospital so we can really examine you?"

"No, sir," said Ollie. "You ain't pokin' no needles into me."

"No needles," agreed the doctor hastily. If there was no other way to get blood samples, they could always drug him with morphine and he'd never know what had happened. "We'll just look at you. And we'll feed you all you can eat."

"All I can eat? It's a deal!"

The humor was crude, but it put the point across--the photographer assigned to the contest had snapped a picture of Ollie in the middle of gulping two eggs. One was traveling down his gullet, causing a lump in his throat, and the other was being stuffed into his mouth at the same time. The caption writer had entitled the shot: THE MAN WHO BROKE THE ICEBOX AT MONTE'S, and the column alongside was headed, Eats Three Hundred and Forty-three Eggs. "I'm Hungry!" He Says.

The story opens with Ollie Keith, a gaunt and perpetually hungry junk collector, scouring an alley for redeemable scraps. His life has been a cycle of poverty and failure: orphaned, rejected by the Army, and reduced to drinking rot gut to dull his hunger. When he finds a small nut and cracks it open with his teeth, the nut's contents dissolve in his mouth, leaving him feeling full for the first time. But soon his stomach swells alarmingly, and he is rushed to a hospital, where doctors are baffled by the moving lumps beneath his skin.

Poverty as a Science-Fiction Premise

The catalog subject "Poor -- Fiction" is not merely a backdrop but the engine of the plot. Ollie's desperation is established through concrete details: his clothes are worn thin, he has been hungry for so long he cannot remember otherwise, and he survives on inadequate food and cheap alcohol. The story explicitly invokes the rags-to-riches formula only to subvert it—Ollie has followed the first part (born to rags, orphaned) but never gets the counting-house job or the pretty daughter. Instead, his poverty makes him the perfect test subject for the alien interns' experiment. The nut he finds is not a stroke of luck but a trap baited for someone hungry enough to eat it. The narrative uses his material deprivation to justify his gullibility and his willingness to accept help from strangers, even when that help involves swallowing unidentified tablets.

The Hospital as a Stage for Alien Intervention

The hospital sequence shifts the story from naturalistic poverty to overt science fiction. Two interns, Zolto and Pojim, are revealed to be aliens who have given Ollie "pandigestive tablets" designed to let him digest anything—including metal. Their dialogue is clipped and conspiratorial: "We may have to use violence after all. They must not find it." The human doctors are portrayed as well-meaning but helpless, while the aliens manipulate the hospital's public address system to create a diversion. The scene is structured as a chase, with Ollie caught between human surgery and alien extraction. The aliens' goal—retrieving the nut's remains from Ollie's stomach—is never explicitly stated, but their urgency is clear. The story leaves their motives and the nut's origin unexplained, relying on the reader's acceptance of the genre's conventions.

Voice and Structure: The Unreliable Everyman

The narration stays close to Ollie's limited perspective, using colloquial speech and a third-person voice that mirrors his bewilderment. Phrases like "If Ollie knew the work he was doing, he would have resigned—if resigning were possible!" establish dramatic irony from the first sentence. The story is structured as a series of escalating misfortunes that turn into improbable escapes: Ollie cracks a nut with his teeth, his stomach swells, he is hospitalized, he refuses surgery, he is rescued by aliens, and he ends up in a taxi, digesting metal. The pacing is brisk, with short paragraphs and frequent dialogue. The aliens' intervention is presented without explanation, and the story ends with Ollie still ignorant of what has happened to him. This structural choice reinforces the theme of a man who is acted upon rather than acting, a passive victim of both poverty and alien experimentation.

Readers should note that the story's title, "Shipping Clerk," never appears in the excerpts, and Ollie's occupation is never mentioned. The catalog subject "Machines & Invention" is only obliquely relevant through the alien technology. The excerpts end with Ollie in a taxi, digesting metal, but the story's resolution—and the fate of the alien interns—remains unknown. This editorial note is based solely on the provided text and does not assume knowledge of the complete work.

That story about the junk collector and the strange nut stayed with me—the way hunger twists everything, even what seems impossible to swallow. It reminded me of something quieter but just as lingering, where endings rearrange what you thought you understood. There's a gentleness in that shift, a settling. Assignment's End — Key Ideas to Explore touched that same place, like a breath held longer than expected.

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