The Highest Mountain — Reading Companion

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In Category - Space Future
Walton, Bryce, 1918-1988 Project Gutenberg 2016 Not confirmed
Science fiction; Short stories; Mars (Planet) -- Fiction Readers of public-domain and historical texts
Project Gutenberg digital edition en

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Words 9,110
Reading time 40 min
Text sections 1

Before opening The Highest Mountain — Reading Companion, the edition data offers a quick orientation: 9,110 words, 40 min estimated reading time, and 1 detected text section.

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Bryce Walton's 1952 story follows Bruce, a poetry-quoting crewman on Mars, as his companions obsessively climb a 45,000-foot peak while he experiences vivid dreams that blur the line between barren reality and a lush, peaceful world.
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Editorial Edition Score 4.4/5

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Read the Text

System was a rotten egg ... a very rotten egg!

Bruce heard their feet on the gravel outside and got up reluctantly to open the door for them. He'd been reading some of Byron's poems he'd sneaked aboard the ship; after that he had been on the point of dozing off, and now one of those strangely realistic dreams would have to be postponed for a while. Funny, those dreams. There were faces in them of human beings, or of ghosts, and other forms that weren't human at all, but seemed real and alive--except that they were also just parts of a last unconscious desire to escape death. Maybe that was it.

"'Oh that my young life were a lasting dream, my spirit not awakening till the beam of an eternity should bring the 'morrow," Bruce said. He smiled without feeling much of anything and added, "Thanks, Mr. Poe."

Jacobs and Anhauser stood outside. The icy wind cut through and into Bruce, but he didn't seem to notice. Anhauser's bulk loomed even larger in the special cold-resisting suiting. Jacobs' thin face frowned slyly at Bruce.

"Come on in, boys, and get warm," Bruce invited.

"Hey, poet, you're still here!" Anhauser said, looking astonished.

"We thought you'd be running off somewhere," Jacobs said.

Bruce reached for the suit on its hook, started climbing into it. "Where?" he asked. "Mars looks alike wherever you go. Where did you think I'd be running to?"

"Any place just so it was away from here and us," Anhauser said.

"I don't have to do that. You are going away from me. That takes care of that, doesn't it?"

"Ah, come on, get the hell out of there," Jacobs said. He pulled the revolver from its holster and pointed it at Bruce. "We got to get some sleep. We're starting up that mountain at five in the morning."

"I know," Bruce said. "I'll be glad to see you climb the mountain."

Outside, in the weird light of the double moons, Bruce looked up at the gigantic overhang of the mountain. It was unbelievable. The mountain didn't seem to belong here. He'd thought so when they'd first hit Mars eight months back and discovered the other four rockets that had never got back to Earth--all lying side by side under the mountain's shadow, like little white chalk marks on a tallyboard.

They'd estimated its height at over 45,000 feet, which was a lot higher than any mountain on Earth. Yet Mars was much older, geologically. The entire face of the planet was smoothed into soft, undulating red hills by erosion. And there in the middle of barren nothingness rose that one incredible mountain. On certain nights when the stars were right, it had seemed to Bruce as though it were pointing an accusing finger at Earth--or a warning one.

With Jacobs and Anhauser and the remainder of the crew of the ship, _Mars V_, seven judges sat in a semi-circle and Bruce stood there in front of them for the inquest.

In the middle of the half-moon of inquisition, with his long legs stretched out and his hands folded on his belly, sat Captain Terrence. His uniform was black. On his arm was the silver fist insignia of the Conqueror Corps. Marsha Rennels sat on the extreme right and now there was no emotion at all on her trim, neat face.

He remembered her as she had been years ago, but at the moment he wasn't looking very hard to see anything on her face. It was too late. They had gotten her young and it was too late.

Terrence's big, square face frowned a little. Bruce was aware suddenly of the sound of the bleak, never-ending wind against the plastilene shelter. He remembered the strange misty shapes that had come to him in his dreams, the voices that had called to him, and how disappointed he had been when he woke from them.

"This is a mere formality," Terrence finally said, "since we all know you killed Lieutenant Doran a few hours ago. Marsha saw you kill him. Whatever you say goes on the record, of course."

"For whom?" Bruce asked.

"What kind of question is that? For the authorities on Earth when we get back."

"When you get back? Like the crews of those other four ships out there?" Bruce laughed without much humor.

Bryce Walton's The Highest Mountain (1952) opens with a striking contrast: Bruce, a crewman on Mars, recites Byron and Poe while his colleagues Jacobs and Anhauser prepare to ascend a 45,000-foot peak. The mountain, described as 'pointing an accusing finger at Earth,' dominates a planet otherwise smoothed by erosion. Walton immediately establishes a tension between the barren Martian landscape and Bruce's interior world of poetry and 'strangely realistic dreams.' The story's catalog subjects—Science fiction, Short stories, Mars—only hint at its actual focus: not exploration, but the psychological pull of an impossible summit and the dreams that offer an alternative reality.

A Mountain That Defies Geology

The mountain's height—'over 45,000 feet'—is presented as geologically improbable on an old, eroded Mars. Walton emphasizes this anomaly: 'the entire face of the planet was smoothed into soft, undulating red hills by erosion. And there in the middle of barren nothingness rose that one incredible mountain.' Bruce sees it as an 'accusing finger' or a 'warning.' The other four rockets that never returned lie 'like little white chalk marks on a tallyboard' under its shadow. This detail, drawn from the opening, suggests a history of failed attempts. The mountain is less a natural feature than a symbol of obsession, drawing characters upward while Bruce remains below, watching.

Poetry as Resistance

Bruce's habit of quoting poetry—Byron's 'Oh that my young life were a lasting dream' and Poe's 'Is all that we see or seem but a dream within a dream?'—sets him apart from the other crewmen. Anhauser and Jacobs mock him as 'poet,' and Terrence later demands, 'What the devil's the idea, poetry at a time like this?' The excerpts show Bruce using verse to frame his experience, while his companions speak in grandiose declarations: 'We'll find the top of the UNIVERSE!' Walton uses these contrasting voices to highlight a division between reflective observation and compulsive action. Bruce's dreams, which he suspects are 'a last unconscious desire to escape death,' offer a peaceful alternative to the mountain's pull.

Dreams That Overwrite Reality

Late in the story, Bruce steps outside to find the mountain gone, replaced by a 'comfortable little city' with a canal, trees, and a woman named Helene. The shelter and spaceships remain, but now seem 'like odd relics that didn't belong there in the thick green grass.' Walton writes that 'dream and reality seemed fused like two superimposed film negatives.' Bruce feels fear when the mountain vanishes, then shame. The excerpt ends with him uncertain which world is real. The narrative leaves the nature of this transformation ambiguous—whether it is hallucination, alien influence, or a genuine shift. The reader is left to weigh the evidence from Bruce's perspective alone.

Walton's story resists easy categorization as a Mars adventure. The mountain is less a setting than a psychological force, and the dreams are not mere escapes but competing realities. Readers should attend to the subtle shifts in Bruce's perception and the way Walton withholds confirmation of what is 'real.' The poetry quotations are not decoration; they are clues to Bruce's mindset and the story's central ambiguity.

Sometimes I think about that crewman on Mars, clinging to his poems while the others chased the summit. It reminds me of what kept surfacing in Operation Distress — Inside the Classic, that quiet ache for somewhere softer than where you're standing. Both left me feeling oddly tender, like I'd remembered a dream I never actually had.

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