Tillie — Context and Discussion
Edition facts
The catalog record for Tillie — Context and Discussion provides practical reading context through 8,907 words, 39 min estimated reading time, and 1 detected text section.
The text analysis averages about 17.2 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “Science fiction,” connecting these edition facts with the source record’s subject description.
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How this score is calculated
- Description quality20 pts
- Title & short description10 pts
- Source metadata20 pts
- Text length15 pts
- Chapters / structure15 pts
- EPUB file integrity20 pts
Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.
Read the Text
There was a peculiar warmth to the stuff. Maybe it was radioactive. But no, it was too light to be one of the heavy elements. I tossed it back to the table top and then nearly rose to the ceiling. The stuff hadn't bounced with a metallic sound at all, but had settled slowly, coming to rest with no sign of a bump.
I picked it up again and looked at Jud, puzzled.
He grinned and said, "Watch this." Then he looked at the lump of metal in a peculiar manner like he might be trying mental telepathy out on it, and suddenly the stuff weighed a ton. It forced my hand down so fast that it bruised as it struck the table. As suddenly the stuff became light again and Judson Taylor had hold of my hand, rubbing it.
"Oh, I'm so sorry, Bill. I am not too good at controlling it yet."
"What the hell IS that stuff?" I ground out.
"I don't know, exactly," he replied. "Mallory, the biochemist, made it and brought it to me. He said he got a lot of chemicals spilled. One of them was a rare enzyme that he didn't want to lose, so he mopped up the mess and put it in a large flask and added some alcohol, getting ready to recover this valuable enzyme. Suddenly this stuff started to form on the sides of the flask, just like silver in the mirror coating process. But all the chemicals were pure hydro-carbons with no silver or other metal present. According to Mallory this stuff is some unknown hydro-carbon. I've been playing with it for two days now."
Judson Taylor put the stuff back in his pocket and rose.
"Let's go over to my lab. I want to show you some things I've found out about it."
I gulped down the rest of my coffee and followed him. We crossed the campus of good old Puget U to the antique building which housed the physics department. We climbed the creaking stairs to the third floor which was devoted mostly to Jud's own private research and was filled with apparatus that he had accumulated during the thirty years he had been kingpin of this department.
Jud crossed over to a bench on which there was a balance and some other stuff and placed the hunk of mystery on one tray of the balance. On the other tray he placed a ten-gram weight. The balance swayed a little and then came to rest on the zero mark, showing the stuff weighed exactly ten grams. Then he placed another ten-gram weight on the tray and the balance came to rest on the zero mark, showing the stuff weighed exactly twenty grams!
"Now watch," he said. He placed the silver chunk on the same side as the two ten-gram weights, leaving the tray it had been in absolutely empty. The balance fluctuated a little and again came to rest on the zero mark, showing a minus twenty grams!
By that time I had stopped believing what my eyes told me.
"That's quite a trick," I said skeptically. "How do you work it?" And I stooped to look under the table, hoping to see a setup of magnets hidden there that would help restore my belief in my sanity.
"I don't work it," Jud exclaimed irritably. "It acts that way itself."
I forgot my one o'clock class entirely. Jud and I played around with that hunk of metallic hydro-carbon most of the afternoon, arguing back and forth about what caused it to do the things it did. I found out that if I thought of beefsteak rare while I looked at it, it would weigh exactly ten pounds, and if I thought of a chicken with its neck being wrung the stuff would float up to the ceiling. I tried all sorts of thoughts on it and got some of the craziest results. But whatever I thought, when I thought of the same thing again I got the same results. But my results were different than Jud's! When he thought of a chicken with its neck being wrung the stuff didn't float up to the ceiling but instead made the floor creak and groan. Finally we took it over to the feed company and put it on their car scales. Then when Jud thought of a chicken with its neck being wrung, we found that the stuff weighed twelve thousand four hundred and eighty pounds! And it was no bigger than a pocket knife!
The story opens with a physics professor, Judson Taylor, presenting a metallic object to his colleague Bill Halley. The object, described as a 'solid chunk of some kind of metal' about the size of a pocket knife, exhibits strange properties: it is warm, light, and when dropped, it settles slowly instead of bouncing. This initial demonstration sets up the central mystery of the substance, later named 'tellecarbon,' which reacts not to physical force but to human thought and emotion.
The Substance and Its Discovery
The narrative begins with a focus on the physical properties of the tellecarbon. The biochemist Mallory accidentally created it from a mixture of chemicals and a rare enzyme. The substance forms like silver in a mirror-coating process, yet it is not metallic in the usual sense. Judson Taylor's experiments reveal that the tellecarbon responds to emotional intent rather than conscious thought. For instance, when Jud thinks of a chicken being killed with disgust, the substance reacts, but when Bill thinks of a chicken dinner, it does not. This distinction between idea and emotion becomes a key plot point.
The Scientists' Reactions
The three scientists—Jud, Bill, and Mallory—along with Lahoma, a female colleague, each respond differently to the tellecarbon's behavior. Bill is initially skeptical and annoyed by his nickname 'Comet,' while Jud is excited and respectful. Mallory is pragmatic, often making blunt remarks that annoy Lahoma. Lahoma, in turn, is intuitive and quick to anthropomorphize the substance, naming it 'Tillie' and suggesting it might be female. Their interactions reveal a tension between scientific objectivity and emotional interpretation, as they struggle to understand a material that seems to have a mind of its own.
The Chase and Its Implications
When the tellecarbon begins to ignore the scientists and move on its own, they deduce it is searching for another piece of itself. Through the telescope, they spot a second silvery chunk ahead, and Tillie begins to chase it. The chase becomes a playful pursuit, with the second chunk speeding up when approached and slowing when distanced. Lahoma suggests that Tillie needs advice on love-making, and when she communicates the idea, Tillie stops chasing and the other chunk begins to pursue her. This sequence blends humor with a speculative twist on consciousness and attraction, suggesting that the substance's behavior mirrors human romantic dynamics.
The story uses a lighthearted tone to explore the boundaries between science and emotion. Readers may find interest in how the characters' assumptions about gender and behavior influence their interpretation of the tellecarbon's actions. The narrative leaves open questions about the nature of consciousness and whether the substance's responses are truly emotional or merely a complex reaction to human thought patterns.
Reading about Tillie’s lonely sentience, I remembered afternoons in my grandfather’s workshop, where metal filings felt almost alive in the dust-light. The Highest Mountain — Reading Companion once gave me that same ache—something vast and quiet waiting to be understood, not controlled. We don’t tame such things; we just learn to listen.
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