The Martian — Reading Companion

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In Category - Other Worlds
Hilliard, A. R. (Alec Rowley), 1908-1951, Glasser, Allen, 1908-1971 Project Gutenberg 2012 Not confirmed
Science fiction; Martians -- Fiction; Human-alien encounters -- Fiction Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 13,804
Reading time 61 min
Text sections 2

This digital edition of The Martian — Reading Companion is described by source-level measurements including 13,804 words, 1 hr 1 min estimated reading time, and 2 detected text sections.

The text analysis averages about 13.6 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Science fiction,” connecting these edition facts with the source record’s subject description.

A Martian visitor crash-lands on a desert world and is captured by brutish humanoids, experiencing confusion, fear, and mistreatment as he struggles to understand their alien ways.
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Editorial Edition Score 4.5/5

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  • Title & short description10 pts
  • Source metadata20 pts
  • Text length15 pts
  • Chapters / structure15 pts
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All through the night he travelled; and into the rising sun. The noonday heat forced him to take a prolonged rest, but he fought on as soon as possible; and sunset found him crawling weakly onward. The cool of night revived him somewhat. He knew that the strain under which he labored would hasten his time of sleep, and that worried him. Even now, he was often in a semi-conscious state. Still, he could not stop.

When the sun rose again, it shone through trees; and far across the yellow sand his tired eyes saw green hills. The sight invigorated him--spurred him on to stronger efforts. Soon after midday he lay panting in the shade of trees.

The trees astonished him. They towered above him, fully five times as high as any he had ever seen. Their stems were of enormous girth--rough and hard to the touch. There seemed to be something moving in their heavy foliage, far above him, and he heard faint, sharp whistling sounds. He looked around uneasily.

The size of the trees worried him. If there were animal life, it might be proportionately large. He shuddered. The desert, although uncomfortable, had had one advantage: he had been alone there.

Still, it was not loneliness that he was seeking, he thought grimly. Obviously, he....

He stiffened. He had been staring abstractedly at the coarse grass which grew thickly around him. Now his eyes became focussed upon a movement there--not three feet away. The grass was waving strangely, in a peculiar, uneven line; and he caught sight of something slim and green, that was not the grass. His throat contracted painfully. The thing did not seem to move, yet it was coming nearer. Whenever he caught sight of a part of its body, it appeared stationary; yet the waving of the grass was closer, and ever closer. It was very close now....

Suddenly his power of locomotion returned. He rolled over backward, and scrambled along the ground to a tree. Grasping the rough trunk, he pulled himself erect; and held himself in that position, panting.

He could see the thing more plainly now. It was like a long, green whip in the grass. Its forepart was raised in the air, and terminated in a triangular head, with two bright eyes whose steady, unwinking stare made him tremble weakly. With an effort he took his eyes from the creature; and, pushing himself away from the tree, ran desperately, as far as his legs would carry him. When he fell, he continued to crawl--farther, and ever farther into the green woods.

He wondered if all creatures crawled in this world of Toon. Perhaps the great gravitational pull made erect postures impossible.

For a long time he climbed steadily, threading his way through the underbrush, skirting fallen trees. He felt increasingly drowsy. His sleep period would come soon, he knew. He could not stave it off much longer. And when he had slept, he must eat....

He came to level ground. Ahead was an opening in the trees, where a wide ledge of stone was revealed. Out upon this he crawled, and gazed at the scene that opened out below. Miles of waving tree tops met his view; but what held his attention was a strip of silver cutting the green.

He felt a warm glow of satisfaction. Water, in his mind, was closely associated with organization, transportation facilities, reasoning beings....

Yet he must be wary. He had no idea what sort of beings they might be. This might be a canal, but it was strangely irregular in its course. At least he was making progress....

A peculiar, ringing sound came from the trees below. It was utterly unfamiliar to him. Nerving himself, he determined to discover what it was. He climbed down from the stone, and began the journey down the hill.

As he progressed the sound became louder, and others were added. He was puzzled by a low, intermittent muttering. It made him vaguely uneasy, and with every moment his agitation increased. The muttering was now very definitely spaced into irregular but continuous tones.

And he knew that he was listening to a conversation.

He was frightened. Now that he was so near to what he had been seeking, his courage left him; and he lay trembling, flat on the ground, awed by the booming voices of the creatures.

They must be very large, he thought, to utter such deep tones.

The story opens with a stark image of a desert world where the sun has evaporated all water, leaving thirsty plants and dying workers. A man falls from the sky, landing hard on a sand dune, his frail body crumpling. He emits a sharp, squealing cry—a sound that immediately marks him as alien. The narrative then shifts to the perspective of this stranded visitor, who is captured by the men of Toon. Their initial kindness gives way to inexplicable cruelty, and he finds himself imprisoned, subjected to jolting transport in a box, and forced to crawl before a swollen-faced overseer. The excerpts reveal a pattern of sensory overload: blinding light, persistent rattling explosions, and overwhelming heat and noise.

A Hostile World and an Uncomprehending Visitor

The setting is established through harsh physical details: rolling yellow sand, a steely-blue dome of sky without clouds, and dunes shaped by prevailing winds. The visitor's landing is described with clinical precision—his body crumples, he slides to the bottom of a steep slope, and a small avalanche of sand covers him. His struggle to rise and his prolonged cry suggest vulnerability. The environment itself seems adversarial, with the sun's heat and blinding light dominating. The narrative emphasizes the visitor's disorientation: he does not know where he is going, only that he is escaping beings that have turned hostile. His inability to communicate or understand their motives is a central tension.

Cruelty Without Reason

The men of Toon are depicted through the visitor's bewildered eyes. Initially seeming kind, they become inexplicably brutal. The visitor is chained, his machine is confiscated, and when he attempts to escape, he is recaptured and placed in a box. The box is jolted, tilted, and bumped for endless hours, leaving him weak and breathless. Later, he is dragged into a large room where the combination of odor, heat, and noise is overpowering. A bulky man with a light red, swollen face stares at him, nods with pleasure, and orders the visitor to be stripped and forced to crawl. The visitor notes that the clothing of these men differs from what he saw before, hinting at a stratified society, but the motives behind the cruelty remain opaque.

The Visitor's Inner Turmoil

The visitor's psychological state is rendered through his fragmented perceptions. He feels strangely detached, as if not present, and experiences moments of semi-consciousness. His active mind feeds on fear, and he questions his assumptions: he had hoped for friendship and mercy, but those qualities belong to his own world, not this one. The narrative conveys his horror through sensory details—the hoarse animal cry in the dark, the heat of a beast's breath, the merciless gleam in a captor's eyes. His struggle to escape is both physical and mental, as he tries to understand the ways of these creatures. The excerpts suggest a being whose intelligence and sensitivity are at odds with the brutish environment he has fallen into.

The excerpts offer a concentrated look at the visitor's ordeal, but the full story likely explores his attempts to navigate this hostile society. Readers should pay attention to the contrast between the visitor's rational, introspective nature and the seemingly irrational violence of the men of Toon. The narrative's focus on sensory details—sounds, smells, physical sensations—creates an immersive experience of alienation. The visitor's machine, which he tries to use for escape, may hold further significance in the complete work.

That Martian’s confusion about a world that won't explain itself stayed with me long after I closed it. The loneliness in that feeling reminded me of something quieter, a story about a visitor to Terra and the strange kindnesses they find there. It sits with you gently, like an echo. A Gift For Terra — Story, Setting & Ideas feels like that same lingering warmth.

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