The Weather on Mercury — Story, Setting & Ideas

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In Category - Other Worlds
Vidmer [Illustrator], Samachson, Joseph, 1906-1980 Project Gutenberg 2016 Not confirmed
Science fiction; Extraterrestrial beings -- Fiction; Human-alien encounters -- Fiction; Mercury (Planet) -- Fiction Readers of public-domain and historical texts
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Edition facts

Words 12,917
Reading time 57 min
Text sections 2

The catalog record for The Weather on Mercury — Story, Setting & Ideas provides practical reading context through 12,917 words, 57 min estimated reading time, and 2 detected text sections.

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A rescue mission on Mercury goes awry when a trigger-happy crewman shoots a native, alien landscapes shift unpredictably, and the weather defies all expectations in this 1953 science fiction novelette.
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Editorial Edition Score 4.5/5

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  • Title & short description10 pts
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Read the Text

Lamoureux thought he would, but didn't say so. "You did shoot at something. We heard the report."

"I tried to hit a dangerous bird."

"What sort of bird was it?"

"Kind of like a penguin, I'd say, but with a broader face. No bill to speak of--"

"Then don't speak of it," snapped Lamoureux. "Did you score a hit?"

"I think the explosion caught it in the shoulder. It got away."

"Thank God for small favors," said Lamoureux. "That bird, you pigeon-brain, was a Mercurian. How do you expect intelligent inhabitants of other planets to look? Like you? They'd die of mortification."

"Damn it, how was I to know?"

"I told you not to shoot unless you were attacked." Lamoureux scowled. "Kalinoff is somewhere in the Twilight Zone and we were supposed to find him with the help of the Mercurians. It may interest you to know that, while you were out at target practice, some of them came around here and began to behave as if they wanted to be friendly. Then they suddenly disappeared. I imagine they got news of what you had done. A fat lot of help they'll give us now."

"We'll run across Kalinoff without them," said McCracken confidently.

Carvalho, who had a habit of looking for the dark side of every situation, and finding it, suggested, "Suppose the Mercurians attack us?"

McCracken said, "They haven't any weapons."

"Kalinoff didn't mention any."

Lamoureux emitted a laugh that sounded like an angry bark. "Kalinoff wouldn't know. _He_ was friendly with them. He did report that they were an intelligent race. It'll be too bad if they use their intelligence against us."

McCracken thrust out his jaw. There was a streak of stubbornness in him, and he was not going to take too many dirty cracks lying down. He growled, "I think you're making a mountain out of an anthill."

"Molehill," corrected Lamoureux.

"Whatever it is. What if Kalinoff did say the Mercurians would help us? You can't take his word for it. Everybody knows what Kalinoff is."

Lamoureux frowned. "Kalinoff is a great man and a great explorer."

"They call him the interplanetary screwball."

"Not on this expedition, they don't, McCracken. You will please keep a civil tongue in your head."

"There's nothing wrong in what I'm saying. Kalinoff _is_ a screwball, and you know it, Captain. He's always playing practical jokes. Look at how he got that Martian senator into the same cage with a moon-snake, and locked the door on him. The senator had a fit. How was he to know the snake was harmless?"

"You don't think Kalinoff would play jokes when his own life was at stake, do you?"

"Once a screwball," insisted McCracken firmly, "always a screwball."

Lamoureux lost patience. "Once an idiot, always an idiot. Get over to the ship and help with the unpacking. And remember, if we don't find Kalinoff, it'll be your fault, and God help you."

Having, he hoped, left McCracken feeling properly ashamed of himself, Lamoureux walked away. The responsibility was beginning to weigh him down. The other nineteen men in the expedition thought they were merely trying to rescue an intrepid explorer for the sake of human life, which was supposed to be sacred. They didn't know that, behind his screwball surface, Kalinoff was as shrewd as they came. He had made some valuable discoveries--and promptly staked out a claim to them.

He had run across large quantities of stable isotopes of metals whose atomic numbers ranged from 95 to 110. These had remarkable and useful properties.

They were, to begin with, of unusual value as catalysts in chemical reactions. For example, element 99, in the presence of air, was a more powerful oxidizing agent than platinum or palladium was a reducing agent, in the presence of hydrogen. And the oxidations could be controlled beautifully, could be made to affect almost any part of a complicated organic molecule at a time. Element 99 was recoverable, and could be used again and again. A few hundred grams of it alone might very well pay for the cost of the entire expedition.

Add the value of a few kilos of elements 101 to 110, and Kalinoff had discovered enough to make him and a few other people rich for life.

The first thing McCracken does is shoot a Mercurian native, mistaking it for a bird. This single act sets off a chain of misadventures in Joseph Samachson's 1953 novelette, originally published under the pseudonym William Morrison in Galaxy Science Fiction. The story follows Captain Lamoureux's expedition to rescue the explorer Kalinoff, stranded in Mercury's Twilight Zone—a forty-mile-wide band between perpetual night and furnace heat. The excerpts reveal a world where landmarks are not fixed: a saddlebacked ridge turns out to be a living creature over five hundred feet high, and snow falls where none was expected. Samachson builds tension through the crew's bickering and Lamoureux's growing frustration, rather than through alien menace alone.

Trigger-Happy Crew and Unreliable Reports

The opening incident—McCracken shooting a native—immediately establishes a pattern of human error. Lamoureux's sarcastic rebukes (“That bird, you pigeon-brain, was a Mercurian”) highlight the gap between expectation and reality. The crew relies on Kalinoff's earlier reports, which prove incomplete: Kalinoff mentioned no weapons among the Mercurians, but the natives vanish after the shooting, suggesting they are not passive. Carvalho, who “had a habit of looking for the dark side,” becomes a foil to McCracken's bluster. The dialogue is sharp and character-driven, with each crew member's voice distinct—McCracken's defensive denials, Lamoureux's bitter commands, and Carvalho's pessimistic interjections. Samachson uses these exchanges to advance the plot without lengthy exposition, letting personality clashes drive the narrative forward.

A Landscape That Refuses to Stay Put

The Mercurian environment is deliberately unstable. The “saddlebacked ridge” between two mountains vanishes after a quake, revealed to be a colossal animal. Lamoureux's observation that “the entire ridge was gone” underscores the unreliability of the setting. The gravity is lower than Earth's, allowing for gigantic life forms, but the crew's terrestrial assumptions keep tripping them up. Snow falls steadily, contradicting Kalinoff's report of “no rain, no hail, no snow.” Lamoureux kicks a snowdrift and asks, “What's this thing supposed to be, a mirage?” The story thus questions the very possibility of accurate reconnaissance: even a friendly explorer like Kalinoff can miss crucial details. The shifting terrain becomes an active obstacle, more threatening than any alien intent.

The Weather as Antagonist

Despite the title, the weather on Mercury is not merely a backdrop but a source of confusion and danger. The snow falls “as steadily as ever,” limiting visibility and making the mountains look different from one moment to the next. Lamoureux's plan to climb for a better view is undercut by McCracken's practical objection: “You can't see the top from here on account of the snow.” The cold side's perpetual night and the hot side's furnace heat are mentioned but never visited; the action stays in the Twilight Zone, where conditions are supposed to be moderate but prove anything but. Samachson uses weather to isolate the characters, forcing them to rely on each other despite their mutual distrust. The falling snow also muffles sound and obscures landmarks, heightening the sense of disorientation.

Readers should pay attention to what the characters don't know. Samachson withholds information about the Mercurians' intentions and the planet's true nature, leaving the crew—and the audience—to piece together clues from incomplete reports and unexpected events. The story rewards careful observation of small details, such as the way the landscape changes or the characters' shifting loyalties. It is a tale less about alien encounter than about the limits of human perception and planning.

That Mercury story stayed with me—the way the crew’s panic turned a fragile encounter into something irreversible. It reminded me of another quiet piece, Pictures Don't Lie — Key Ideas to Explore, which lingers on how we misunderstand what’s right in front of us. Both left me thinking about how we carry our own weather into every strange place.

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