The Protector — Reading Notes

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In Category - Machines Invention
Stone, David [Illustrator], Curtis, Betsy, 1917-2002 Project Gutenberg 2016 Not confirmed
Science fiction; Short stories; Boxers (Sports) -- Fiction Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 6,677
Reading time 30 min
Text sections 1

This digital edition of The Protector — Reading Notes is described by source-level measurements including 6,677 words, 30 min estimated reading time, and 1 detected text section.

The text analysis averages about 21.3 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Science fiction,” connecting these edition facts with the source record’s subject description.

A boxing promoter narrates his management of Pierre, a telepathic Anesthon boxer who feels no pain, revealing tensions between exploitation and protection in a science-fiction tale from 1951.
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Editorial Edition Score 4.3/5

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  • Source metadata20 pts
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Read the Text

Illustrated by DAVID STONE

[Transcriber's Note: This etext was produced from Galaxy Science Fiction February 1951. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.]

There's a fortune in a boxer who feels no pain. This one didn't, except in odd ways....

How come I live here on Gorlin permanent? Well, it's something like this.

There is nobody real surprised when some scientist writes an article in the Sunday supplement about the primitive tribes of Anestha dying out probably. The Anesthon natives is freaks, anyway, and folks just naturally figure they can't last long in stiff competition. If you are like them and your body don't feel any pain any time, you need a nursemaid around to keep you from doing dumb things, like walking in front of a truck or starving to death.

I am here on Gorlin a couple times and know about 'em. Some folks think it's comical to watch the space crews think up ways to give an Anesthon a workout. I see one Anesthon girl--a real looker she is, too--dance fourteen hours before she gives out, just for a bottle of perfume and one of them Venusian fur lounge robes. They sure enjoy their pleasures, even if they never feel no pain. You feeling any? More thiska?

Hey, Noor! Another round of thiska for the boys!

Well, they can feel your feelings, and any thoughts that are about them, too. I guess all they live for is pleasure and a pat on the back. One time a little runty Anesthon guy even builds a whole stone blockhouse for a first looie, when the looie thinks real hard that the little guy looks like a first-rate hod carrier. Time the house is built, the Anesthon's hands is all bloody and one ankle broke where a chunk of rock drops on him. He don't notice it, of course.

Pierre gets all worked up about them Anestha dying out. That's my boy Pierre, the heavyweight. I name him Pierre so's nobody thinks he is tough till afterward. He comes from Gorlin. Of course I have to stable him on Venus long enough for a legal residence, or the Boxing Commission would have him investigated and maybe banned from the ring as a telepath. Tough training him, too. He can't see the sense of fighting, but, man, he can stay in the ring all night. He never does get real speedy on his feet, but he learns fast and packs a wicked left. I don't have to lie when I am thinking real hard he is champeen material.

Anyhow, Pierre gets all worked up over his race getting extinct. He has a sister who is glenched to some nice boy and his old man is some sort of a chief. He is all for beating it back by the next via-Venus ship to see what is getting at the old folks at home. I calm him down though, give him a couple of shots of thiska and say I better take him around to see that scientist-dopester and get the inside first. I have to go everywhere with him to see he doesn't break a leg and forget to tell me about it.

So we hop a TAT in Chi and make for Washington where this science fellow is with some Smithsonian Institute. He is nice enough about seeing us, but he can't figure how a Chinaman like Pierre has any call to be steamed up about the Anestha (you seen these Anestha with their slick black hair and goldy skin and smooth eyelids like a Earth Chinaman) so I have to break down and tell him about Pierre being an Anesthon.

That scientist is pretty peeved with me bringing Pierre into the Earth system, but when I tell him Pierre wants to go back to help out the folks, he kind of clams up and says the article is just one of those Sunday paper things. There don't really seem to be anything wrong on Gorlin except that all the workers are getting more careless than usual, falling off walls they are building and getting hit by rocks during blasting, or walking in front of full cars in the mines.

Pierre gives the man a look. "Workers? Mines? Blasting?" he says. "What gives? There are no mines on Gorlin," he says, "just a few quarries and a lot of big farms. We never have to kill ourselves working. What gives?" he says.

The story opens with a boxing promoter's vernacular account of the Anestha, a humanoid race that feels no pain but is highly sensitive to others' emotions and thoughts. The narrator, a fight manager, has trained Pierre, an Anesthon heavyweight, for the ring. Pierre's inability to feel pain makes him a durable fighter, but his telepathic empathy complicates his aggression. The excerpts show the narrator's pragmatic, often callous attitude toward Pierre's well-being, treating him as both a meal ticket and a charge. The tension between using Pierre's unique physiology for profit and protecting him from harm is established early, as the narrator admits he must accompany Pierre everywhere to prevent injury.

Voice and Vernacular

The narrator's voice is distinctive: colloquial, ungrammatical, and peppered with slang like "thiska," "flaff," and "TAT." He speaks in a rough, first-person style that suggests a low-class background, referring to himself as a "fight racket" operator. This vernacular contrasts sharply with the science-fiction setting of space travel and alien races. The narrator's limited perspective filters all events, leaving the reader to infer Pierre's inner life. For example, when Pierre becomes "all worked up" about his race's extinction, the narrator dismisses his concern and offers him a drink. The language choices—such as "I don't have to lie when I am thinking real hard he is champeen material"—reveal the narrator's manipulative streak. He uses his thoughts to motivate Pierre, exploiting the Anesthon's telepathic receptivity. This voice creates a gritty, unpolished tone that grounds the speculative elements in a recognizable, if unsavory, human perspective.

Pain, Empathy, and Exploitation

The Anestha's lack of physical pain is paired with an acute sensitivity to others' feelings and thoughts. The narrator notes that they "can feel your feelings, and any thoughts that are about them." This combination makes them vulnerable: they cannot sense bodily harm but are emotionally porous. The narrator exploits this for boxing, training Pierre by thinking he is "champeen material." Yet the same empathy drives Pierre's concern for his endangered people. The story's central irony is that the Anestha need protection from themselves—they might walk into traffic or starve—but also from those who would use their gifts. The narrator's role as "Protector of Morale" at the end is a bureaucratic twist: he is paid to keep the Anestha happy, but they end up protecting him from mundane accidents. The excerpts do not reveal whether this arrangement is benevolent or merely a new form of exploitation.

Structure and Narrative Gaps

The excerpts provide only the opening and closing portions of the story, with a large middle section missing. The narrative begins with the narrator explaining his presence on Gorlin and his history with Pierre, then jumps to a confrontation with a "big guy" who is coercing Pierre's father. The resolution is abrupt: the narrator calls authorities, the antagonist is arrested, and the narrator is appointed Protector. Key events—the fight with the "howling ape," the journey to Washington, the scientist's role—are absent. This incomplete view leaves questions: How does Pierre's telepathy affect his boxing? What exactly is the "psychological coercion" charge? The ending suggests a role reversal, with the Anestha now guarding the narrator, but the excerpts do not clarify if this is comic or sincere. Readers must piece together the plot from these fragments, noting that the narrator's unreliability may color all events.

The excerpts offer a fragmented view of a story that blends sports, science fiction, and social commentary. Readers should attend to the narrator's self-serving account and consider how Pierre's perspective might differ. The missing middle section likely contains the key confrontation and character development. The title "The Protector" is ambiguous: it could refer to the narrator, Pierre, or the Anestha themselves. This ambiguity, along with the narrator's distinctive voice, rewards careful reading.

Reading about Pierre in the ring, I remembered my uncle’s old gym bag—the way he’d check on fighters between rounds, half protector, half profit. That quiet unease resurfaced in Let There Be Light — Context and Discussion Let There Be Light — Context and Discussion, where caring and controlling blur so gently you almost miss the line. Both stories left me sitting still, wondering who truly watches whom.

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